Movie review: 'Salt of the Earth' an eyewitness to photographer's own history
A photographer (etymologically) is someone who draws with light, and "Salt of the Earth" is full of such stunning drawings -- images of split-second, black-and-white revelation -- accompanied by Salgado's accounts of taking them: slave workers in Brazilian gold mines; Kuwaiti oil well...
Saved in:
Published in | TCA News Service |
---|---|
Main Author | |
Format | Newsletter |
Language | English |
Published |
Chicago
Tribune Content Agency LLC
01.05.2015
|
Subjects | |
Online Access | Get full text |
Cover
Loading…
Summary: | A photographer (etymologically) is someone who draws with light, and "Salt of the Earth" is full of such stunning drawings -- images of split-second, black-and-white revelation -- accompanied by Salgado's accounts of taking them: slave workers in Brazilian gold mines; Kuwaiti oil wells aflame in the wake of Saddam's retreat; gentle Coptic Christians quietly starving in Ethiopia; 250,000 driven from their villages to die in the Congo; epidemic cholera in the refugee camps; human skeletons, whose "governments" deliberately withhold relief food; unspeakable genocide in Rwanda. |
---|