Studio Visit
On West Jefferson Boulevard, a four-lane thoroughfare that cuts east-west through South Central Los Angeles, the din of the city is loud as cars and trucks streak down the blocks. Anthony Hernandez's studio occupies a small storefront right on West Jefferson, in a brief commercial district sque...
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Published in | Aperture no. 247; pp. 17 - 19 |
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Main Author | |
Format | Trade Publication Article |
Language | English |
Published |
Millerton
Aperture, Incorporated
01.07.2022
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Subjects | |
Online Access | Get more information |
ISSN | 0003-6420 |
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Summary: | On West Jefferson Boulevard, a four-lane thoroughfare that cuts east-west through South Central Los Angeles, the din of the city is loud as cars and trucks streak down the blocks. Anthony Hernandez's studio occupies a small storefront right on West Jefferson, in a brief commercial district squeezed between the more residential, "historic" neighborhoods of Jefferson Park and West Adams. The sparse, clean space operates more like a showroom than a work area since his practice takes place out there, most often on and around streets similar to this one, preserving glimpses of LA not likely to receive historic designations anytime soon. Two of his best-known series, Landscapes for the Homeless (1988-2007) and Forever (2007-12), studied the stuff of the city's most transient populations. Hernandez fixed his eye on cardboard shelters and strung-up bed sheets, initials carved into tree trunks and piles of cigarette butts strewn in the dirt. Rarely, if ever, do these images feature any human subjects. It's clear that the inhabitants of these sites are more ephemeral than the tiny traces they leave behind. Visions of brightly colored walls, renovated storefronts, old housing developments, expansive graffiti, and people--yes, people--are pictured through a tight, black mesh pattern, seemingly right on the image's surface. |
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ISSN: | 0003-6420 |