Comics giant horns into web scene; Foray into genre pioneered by amateurs could create opportunities for new talent, but some see problems Final Edition

"We're investing in the future," says Ron Perazza, DC's director of creative services, explaining that DC is looking for new talent, trying to build new properties and reach new readers. The strip began in 1998 as a submission to a cartoon contest in Next Generation, a gaming mag...

Full description

Saved in:
Bibliographic Details
Published inThe Gazette (Montreal)
Main Author Hiltzik, Andrew
Format Newspaper Article
LanguageEnglish
Published Montreal, Que Postmedia Network Inc 04.08.2007
Online AccessGet full text

Cover

Loading…
More Information
Summary:"We're investing in the future," says Ron Perazza, DC's director of creative services, explaining that DC is looking for new talent, trying to build new properties and reach new readers. The strip began in 1998 as a submission to a cartoon contest in Next Generation, a gaming magazine. When they didn't receive letters of either acceptance or rejection, the pair kept sending in comics until the magazine told them, in so many words, to cut it out. [Mike Krahulik] and [Jerry Holkins] shopped the strip around to different websites until LooneyGames bought it and started asking for more. [Jeph Jacques]' strip is called Questionable Content, a name picked more for its novelty than for its descriptiveness. It also plays on the fact that there is very little content in the strip that could actually be considered questionable. The strip follows Marten Reed, who lives with his friend Faye, a barista at the coffee shop owned by Marten's girlfriend, Dora. Like [Penny Arcade], it started off directed at a niche audience - in this case, indie music fans - but since has broadened to become a more story- and character-driven strip.
ISSN:0384-1294