Fade From Tintype; Cue General Grant
THE hands of Gen. Ulysses S. Grant dash off a series of written orders. A trotting horse's legs dissolve into a lithograph of the bloody Battle of Shiloh. And the young Grant trains a horse in a Midwestern meadow. Viewers may not pay much attention to the discrepancy between these newly filmed...
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Published in | The New York times |
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Main Author | |
Format | Newspaper Article |
Language | English |
Published |
New York, N.Y
New York Times Company
05.05.2002
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Edition | Late Edition (East Coast) |
Subjects | |
Online Access | Get full text |
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Summary: | THE hands of Gen. Ulysses S. Grant dash off a series of written orders. A trotting horse's legs dissolve into a lithograph of the bloody Battle of Shiloh. And the young Grant trains a horse in a Midwestern meadow. Viewers may not pay much attention to the discrepancy between these newly filmed color sequences and the black-and-white archival images in ''Ulysses S. Grant,'' a two-part installment of ''American Experience'' on PBS beginning tonight. Partly this is because the new material is artfully integrated into the old. But there is another reason. Historical re-creations, a novelty some 10 years ago, have become commonplace in TV documentaries. The new Grant documentary lies somewhere in the middle. It enhances archival material with impressionistic sequences that refrain from showing clear views of the actors. When a stand-in for Grant, lost in thought, looks out a White House window, the scene is captured in a long shot bathed in hazy sunlight. |
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ISSN: | 0362-4331 |