Tailfins a marketing monster; When We Were Young Final Edition
Very much taken with its graceful lines, [Harley Earl] incorporated all sorts of airplane metaphors into his first postwar models in 1948. The most obvious element was a "rudder-type styling" -- tailfins. We can't blame Earl for the excesses that followed. It was Chrysler stylist Virg...
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Published in | Edmonton journal |
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Main Author | |
Format | Newspaper Article |
Language | English |
Published |
Edmonton, Alta
Postmedia Network Inc
28.02.1999
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Subjects | |
Online Access | Get full text |
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Summary: | Very much taken with its graceful lines, [Harley Earl] incorporated all sorts of airplane metaphors into his first postwar models in 1948. The most obvious element was a "rudder-type styling" -- tailfins. We can't blame Earl for the excesses that followed. It was Chrysler stylist Virgil Exner, actually, who started the game of one- upmanship in 1957. In his book, Unsafe at any Speed (1965), [Ralph Nader] documented an accident between a motorcycle and a 1960 Chrysler 300F. When the motorcyclist hit the automobile's rear bumper, the force of the collision threw him forward. And he was impaled on the car's "razor- sharp" fin. |
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ISSN: | 0839-296X |