Obituary extra: Adrian Ryan: Colour and form It was Patrick Heron's 1948 review in the New Statesman of Adrian Ryan's Redfern Gallery show (writes Brian Morley ) which first drew attention to the painter. It remains possibly still the most perceptive. They became friends as students at the Slade, both committed to a modern French tradition of painting. This is an extract
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Published in | The Guardian (London) |
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Main Author | |
Format | Newspaper Article |
Language | English |
Published |
London (UK)
Guardian News & Media Limited
24.12.1998
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Online Access | Get full text |
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ISSN: | 0261-3077 |
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