Obituary extra: Adrian Ryan: Colour and form It was Patrick Heron's 1948 review in the New Statesman of Adrian Ryan's Redfern Gallery show (writes Brian Morley ) which first drew attention to the painter. It remains possibly still the most perceptive. They became friends as students at the Slade, both committed to a modern French tradition of painting. This is an extract

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Bibliographic Details
Published inThe Guardian (London)
Main Author BRIAN MORLEY AND PATRICK HERON
Format Newspaper Article
LanguageEnglish
Published London (UK) Guardian News & Media Limited 24.12.1998
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ISSN:0261-3077