Courbet, the decorative, and the canon : rewriting and rereading Meier-Graefe's Modern art
English Discusses Julius Meier-Graefe's Entwickelungsgeschichte der modernen Kunst [Developmental history of modern art] (1908), one of the most influential books in the early history and historiography of European modernism, in relation to the creation of a canon of modern art. Takes it as an...
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Published in | Partisan canons pp. 157 - 177 |
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Main Authors | , , , , , , , , , , , , |
Format | Book Chapter |
Language | English |
Published |
01.01.2007
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Online Access | Get more information |
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Summary: | English Discusses Julius Meier-Graefe's Entwickelungsgeschichte der modernen Kunst [Developmental history of modern art] (1908), one of the most influential books in the early history and historiography of European modernism, in relation to the creation of a canon of modern art. Takes it as an excellent case study because it was written and rewritten over many editions and a crucial translation into English. Posits that Meier-Graefe's understanding of Vollkommenheit ("perfect completion") in regards to artistic masterpieces is emblematic of the logic behind the structuring of the canon. Pays attention to Meier-Graefe's changing attitudes towards the decorative in painting and towards the work of Courbet. |
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Bibliography: | SourceType-Books-1 content type line 12 |