CIPRIANO RORE: I madrigali a cinque voci
Nor did the first publication display any listed privilegio on the title page that announced the owner (under some regimes, at any rate) possessed a sole license to issue the music being published. First is the number of musicians, here reduced to six in all: a soprano, countertenor, three tenors, a...
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Published in | Fanfare (Tenafly, N.J.) Vol. 43; no. 3; pp. 220 - 221 |
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Main Author | |
Format | Magazine Article |
Language | English |
Published |
Tenafly
Fanfare, Inc
01.01.2020
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Subjects | |
Online Access | Get full text |
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Summary: | Nor did the first publication display any listed privilegio on the title page that announced the owner (under some regimes, at any rate) possessed a sole license to issue the music being published. First is the number of musicians, here reduced to six in all: a soprano, countertenor, three tenors, and a bass. There's an excellent in-depth article here from Jessie Ann Owens, Professor Emeritus of UC, Davis, which covers a range of interesting esoterica on Rore's first madrigal book, and an exceptional, lengthy essay by Scott Metcalfe on performing pitch, performance style, clefs and transposition, and voice types and scoring. |
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Bibliography: | content type line 24 ObjectType-Review-1 SourceType-Magazines-1 |
ISSN: | 0148-9364 |