CIPRIANO RORE: I madrigali a cinque voci

Nor did the first publication display any listed privilegio on the title page that announced the owner (under some regimes, at any rate) possessed a sole license to issue the music being published. First is the number of musicians, here reduced to six in all: a soprano, countertenor, three tenors, a...

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Bibliographic Details
Published inFanfare (Tenafly, N.J.) Vol. 43; no. 3; pp. 220 - 221
Main Author Brenesal, Barry
Format Magazine Article
LanguageEnglish
Published Tenafly Fanfare, Inc 01.01.2020
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Summary:Nor did the first publication display any listed privilegio on the title page that announced the owner (under some regimes, at any rate) possessed a sole license to issue the music being published. First is the number of musicians, here reduced to six in all: a soprano, countertenor, three tenors, and a bass. There's an excellent in-depth article here from Jessie Ann Owens, Professor Emeritus of UC, Davis, which covers a range of interesting esoterica on Rore's first madrigal book, and an exceptional, lengthy essay by Scott Metcalfe on performing pitch, performance style, clefs and transposition, and voice types and scoring.
Bibliography:content type line 24
ObjectType-Review-1
SourceType-Magazines-1
ISSN:0148-9364