Poskus identifikacije in atribucije skofovskega portreta iz zbirke Narodnega muzeja Slovenije v Ljubljani : ali gre za portret ljubljanskega skofa Ernesta Amadeja Attemsa izpod copica Casparja Franza Sambacha?
During the preliminary works for a planned exhibition of portraits of the bishops of Ljubljana, a painting in the collection of the National Museum of Slovenia in Ljubljana that has been entered in the list of the museum items just as a portrait of a bishop aroused special attention. The present pap...
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| Published in | Acta historiae artis Slovenica Vol. 10 |
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| Main Authors | , |
| Format | Journal Article |
| Language | Slovenian |
| Published |
01.01.2005
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| Online Access | Get more information |
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| Summary: | During the preliminary works for a planned exhibition of portraits of the bishops of Ljubljana, a painting in the collection of the National Museum of Slovenia in Ljubljana that has been entered in the list of the museum items just as a portrait of a bishop aroused special attention. The present paper opens up the question of identification of the sitter and of attribution of the painting and suggests some possible answers. After a thorough analysis of the materials, a hypothesis seems to be conditionally plausible, that the portrayed man is Ernest Amadeus Attems, the eighteenth bishop of the Ljubljana diocese (17421757). Because the museum painting is neither signed nor dated and because archival documents are equally silent about it, only stylistic comparison remains available in searching for the artist. [Abridged Publication Abstract] |
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| Bibliography: | SourceType-Scholarly Journals-1 content type line 23 |
| ISSN: | 1408-0419 |