A conversation with Max Neuhaus
In interview, the American artist and musician Max Neuhaus discusses his life and work, focusing on his sound installations. He explains how his sound works differ from music, describes what he aims to achieve in his work, and considers his shaping of space with sound. He comments on the relationshi...
Saved in:
| Published in | Public art review Vol. 11; no. 2; pp. 13 - 17 |
|---|---|
| Main Author | |
| Format | Journal Article |
| Language | English |
| Published |
01.03.2000
|
| Online Access | Get more information |
Cover
Loading…
| Summary: | In interview, the American artist and musician Max Neuhaus discusses his life and work, focusing on his sound installations. He explains how his sound works differ from music, describes what he aims to achieve in his work, and considers his shaping of space with sound. He comments on the relationship between visual and aural perception, examines sound's ability to express the immaterial, and considers how certain aspects of sound, namely music and language, are culturally conditioned. He contrasts his work with music, highlights his work Times Square (1977-92; illus.) in the context of the anonymity of certain of his pieces, and traces his interest in public art. He emphasizes the importance of the site for his work, and concludes by relating the reaction he wishes to elicit from those who experience his work. The work Times Square is described in a brief insert. |
|---|---|
| Bibliography: | ObjectType-Article-1 SourceType-Scholarly Journals-1 content type line 23 ObjectType-Feature-2 |
| ISSN: | 1040-211X |