Answer the Question: 'Where are your training grounds?': Siobhan Davies
Davies, a choreographer and the artistic director of Siobhan Davies Dance, notes that, to some extent, what most people call training, she would call learning. After studying Martha Graham Technique in the 1960s, she was asked to choreograph work for London Contemporary Dance School. It was in the c...
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Published in | Theatre, dance and performance training Vol. 1; no. 1; p. 124 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
Abingdon
Taylor & Francis Ltd
01.03.2010
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Subjects | |
Online Access | Get full text |
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Summary: | Davies, a choreographer and the artistic director of Siobhan Davies Dance, notes that, to some extent, what most people call training, she would call learning. After studying Martha Graham Technique in the 1960s, she was asked to choreograph work for London Contemporary Dance School. It was in the creation of this work that she discovered that the learning to which she applied herself in the morning class was not the vocabulary she was using when she made movement. She credits three major forces of learning at that point: London Contemporary Dance, Richard Alston's work, and her own work, in which she was sourcing material through feeling and what she saw. |
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ISSN: | 1944-3927 1944-3919 |