Wading into Battle: Frida Kahlo, Surrealism, and the Gradivian Myth

The author investigates Frida Kahlo's subversive response to the surrealist imaginary of the Woman-Child, brought to life in Wilhelm Jensen's novella Gradiva (1901). The author retraces the Freudian roots of Gradiva's popularity among the surrealists, and analyses Kahlo's paintin...

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Bibliographic Details
Published inRIHA journal
Main Author Piechura, Joanna
Format Journal Article
LanguageEnglish
Published Munich International Association of Research Institutes in the History of Art 01.01.2021
Subjects
20th century
Friendship
Influence
Jensen, Wilhelm (1837-1911)
Kahlo, Frida
Lamba, Jacqueline (1910-1993)
Novellas
Painters
Surrealism
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Summary:The author investigates Frida Kahlo's subversive response to the surrealist imaginary of the Woman-Child, brought to life in Wilhelm Jensen's novella Gradiva (1901). The author retraces the Freudian roots of Gradiva's popularity among the surrealists, and analyses Kahlo's painting What the Water Gave Me (1938) as a critical re-enactment of the childish, naïve femininity represented in the works of male surrealists. The author argues that Kahlo's use of Gradivian motifs and her changing attitude towards the poetics of surrealism are traceable not only within her visual works, but in her intimate drawings and writings as well, exemplified by a letter to Jacqueline Lamba and other excerpts from Kahlo's diary. Underscoring the role Kahlo friendship with Lamba played in the Mexican's career sheds new light on the ways she referenced surrealism in her art.
ISSN:2190-3328
DOI:10.11588/riha.2021.0.85590