'Glorious Sounds: Exploring the Soundscapes of British Nonconformity, 1550–1800', International Virtual Conference, 14–15 April 2021

Mary Fairclough delivered the final paper of the first day on 'Anna Laetitia Barbauld and the Dissenting Art of Reading'. After a brief coffee break, the next panel session began whose speakers included Matthew Stanton (Queen's University Belfast, UK), Rosamund Paice (Northumbria Univ...

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Bibliographic Details
Published inBunyan studies no. 25; pp. 96 - 98
Main Author Daniel, Robert W
Format Journal Article
LanguageEnglish
Published Newcastle Upon Tyne Northumbria University, Department of Humanities, Faculty of Arts, Design and Social Sciences 01.01.2021
Subjects
Hymns
Religion
Religious music
Sound
Soundscapes
Spirituality
Canada
United Kingdom > UK
United States > US
England
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Summary:Mary Fairclough delivered the final paper of the first day on 'Anna Laetitia Barbauld and the Dissenting Art of Reading'. After a brief coffee break, the next panel session began whose speakers included Matthew Stanton (Queen's University Belfast, UK), Rosamund Paice (Northumbria University, UK) and Vera J. Camden (Kent University, USA). Using a psychoanalytic reading as a means to understand the power of oral memory, this paper examined how Hannah collected, internalized and augmented the spiritual voices of prominent hymn-writers, in order to explicate her female agency in crafting unique 'sounds' of personal devotion.
ISSN:0954-0970