Connecting the Dots of Good and Evil: The Pilgrim's Progress Movie (2019)
Whereas Bunyan's allegorical embodiments of evil function almost as notches for Christian to put on his belt as he seeks spiritual enlightenment, in the movie version they are part of a singular evil. [...]the filmmakers create the character of the head supervisor, who rules over Christian'...
Saved in:
Published in | Bunyan studies no. 24; pp. 125 - 129 |
---|---|
Main Author | |
Format | Journal Article |
Language | English |
Published |
Newcastle Upon Tyne
Northumbria University, Department of Humanities, Faculty of Arts, Design and Social Sciences
01.01.2020
|
Subjects | |
Online Access | Get full text |
Cover
Loading…
Summary: | Whereas Bunyan's allegorical embodiments of evil function almost as notches for Christian to put on his belt as he seeks spiritual enlightenment, in the movie version they are part of a singular evil. [...]the filmmakers create the character of the head supervisor, who rules over Christian's former town and who acts as one of Apollyon's agents. At one moment, in a stark departure from Bunyan's book, the supervisor takes the form of the Flatterer in order to tempt Christian in one of the final stages of his journey. [...]Ken Anderson's 1973 live action film, which features a young Liam Neeson, and even Scott Cawthon's 2005 animated film do not make any significant revisions to this aspect of The Pilgrim's Progress. |
---|---|
ISSN: | 0954-0970 |