Making Something Happen Despite Borders and Critics: A Conversation with Artistic Leaders of Prague’s Archa Theatre, Ondřej Hrab and Jana Svobodová
Despite that historic role and its recent creation of only the third Czech production, Ordinary People, to be invited for the main program of the Avignon Festival (2019) in its seventy-year history, it still struggles for domestic acceptance. With the later formalization of a dramaturgical line of d...
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Published in | Theatre journal (Washington, D.C.) Vol. 73; no. 1; p. E |
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Main Authors | , , |
Format | Journal Article |
Language | English |
Published |
Baltimore
Johns Hopkins University Press
01.03.2021
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Subjects | |
Online Access | Get full text |
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Summary: | Despite that historic role and its recent creation of only the third Czech production, Ordinary People, to be invited for the main program of the Avignon Festival (2019) in its seventy-year history, it still struggles for domestic acceptance. With the later formalization of a dramaturgical line of devised, documentary work, Svobodová began creating artistic social encounters with persons of differing cultures in pieces developed and performed in various places around the world (fig. 1). [...]it worked very well, but we were really, really frightened that we would lose the whole meaning of the show. [...]she was silent for one minute. Because the audience understood, it was actually much stronger than the original version when she was describing what happened at this massacre on Tiananmen Square (fig. 2). |
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ISSN: | 0192-2882 1086-332X |