A "baba antropofágica" de Lygia Clark e os "parangolés" de Hélio Oiticica como arte de performance

This paper aims to reflect, via a bibliographical analysis, upon the artworks of two visual artists active in the 1970s and that expanded the limits of visual arts into the field of performances. These artists are Hélio Oiticica and Lygia Clark. They let us see that performances (with close relation...

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Bibliographic Details
Published inConhecimento & Diversidade Vol. 9; no. 19; pp. 178 - 190
Main Author Rodrigues, Walace
Format Journal Article
LanguagePortuguese
Published Niteroi Centro Universitario LaSalle - RJ 01.10.2017
Subjects
Art education
Clark, Lygia (1920-88)
Collaboration
Oiticica, Helio
Performance art
Visual artists
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Summary:This paper aims to reflect, via a bibliographical analysis, upon the artworks of two visual artists active in the 1970s and that expanded the limits of visual arts into the field of performances. These artists are Hélio Oiticica and Lygia Clark. They let us see that performances (with close relation to the field of theatre) and visual arts (linked to the symbolic materiality of objects) get together, widening and renewing theirs presence field within arts and starting new models of collaboration. Also, the use of performance art in schools can help students as it is has a rich and diverse expressive means of teaching.
ISSN:1983-3695
2237-8049