Looking as women: the paintings of Suzanne Valadon, Paula Modersohn-Becker & Frida Kahlo. Atlantis 18(1&2) Fall/Winter 1992, Spring/Summer 1993 p25-45

Many feminist critiques of the female nude in painting are premised on the argument that these images are produced solely for male pleasure and consumption. Shifting the focus to representations of the female nude by women artists allows a different interpretation.

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Bibliographic Details
Published inResources for feminist research Vol. 23; no. 1/2; p. 71
Main Author Burns, Janet M
Format Journal Article
LanguageEnglish
Published Toronto Resources for Feminist Research 01.04.1994
Subjects
Artists
Criticism
Feminism
History
Kahlo, Frida
Modersohn-Becker, Paula
Reviews
Valadon, Suzanne
Women
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Summary:Many feminist critiques of the female nude in painting are premised on the argument that these images are produced solely for male pleasure and consumption. Shifting the focus to representations of the female nude by women artists allows a different interpretation.
ISSN:0707-8412