FEMINILIDADES E MASCULINIDADES NA CENA CONTEMPORANEA: ANALISE DO ESPETACULO CAMINHO DA SEDA - RACA CIA DE DANCA DE S?O PAULO

The analysis of a dance spectacle, considered as a cultural manifestation that reflects aspects of a society, can be seen as continuity of the creation process. Based on Pavis (2010) and Siqueira (2006), this study examined the spectacle Caminho da Seda, Race Dance Company of St. Paul, focusing on r...

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Bibliographic Details
Published inMovimento (Porto Alegre, Brazil) Vol. 21; no. 2; p. 449
Main Authors Marília Del Ponte de Assis, Danieli Alves Pereira Marques, Roble, Odilon José, Maria do Carmo Saraiva
Format Journal Article
LanguagePortuguese
Published Porto Alegre Universidade Federal do Rio Grande do Sul, Escola de Educaco Fisica 01.04.2015
Subjects
Dance
Dance companies
Femininity
Masculinity
Studies
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Summary:The analysis of a dance spectacle, considered as a cultural manifestation that reflects aspects of a society, can be seen as continuity of the creation process. Based on Pavis (2010) and Siqueira (2006), this study examined the spectacle Caminho da Seda, Race Dance Company of St. Paul, focusing on representations of femininity and masculinity through video and photos. It were observed elements that kept traditional images and aesthetic standards of dance; however, pointed out different representations contrasting with some stereotypes of sexual roles, reflecting on stage a mix that introduces new constructions of body and movement of contemporary dance scene. Keywords Dance. Body. Femininity. Masculinity.
ISSN:0104-754X
1982-8918