沈璟戱曲論硏究 - 二郞神을 中心으로
A Study on Drama Theory of Shen-jing(沈璟)Shen-jing(沈璟) was a good songwriter at temperament. But he was the attainments in the drama. He made efforts place to set the order of the temperament as creates the script of play. The player did not create the play together at that time with the writer. Beca...
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| Published in | 중국연구, 32(0) pp. 10 - 156 |
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| Main Author | |
| Format | Journal Article |
| Language | Korean |
| Published |
중국연구소
01.12.2003
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| Subjects | |
| Online Access | Get full text |
| ISSN | 1225-8695 2713-5950 |
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| Summary: | A Study on Drama Theory of Shen-jing(沈璟)Shen-jing(沈璟) was a good songwriter at temperament. But he was the attainments in the drama. He made efforts place to set the order of the temperament as creates the script of play. The player did not create the play together at that time with the writer. Because of such an Chinese traditional play chuanqi(傳奇) creation and disablement by illness of the production, he leaned many energy and studied the feature of the temperament with the subject of songs of the Chinese southern play(南戱), chuanqi. And he emphasized to the recursion the player must know the temperament all well with the writer. He insisted by this that own creation and player must be all suitable well to the temperament. The work to embody such theory mainly is immediately his Erlangshen(二郞神). This paper analyzed which it wore his work in such viewpoint. KCI Citation Count: 0 |
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| Bibliography: | G704-001019.2003.32..025 |
| ISSN: | 1225-8695 2713-5950 |