Introduction
One of the most useful insights of scholarship that considers the conversion of 35mm films to 3D is the reminder that the latter’s appearance is not a mere novelty. Such revivals are not, as Kristen Whissel points out, a way of rescuing a seemingly threatened (U.S.) film industry in view of the comi...
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Published in | Silent Cinema and the Politics of Space p. 15 |
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Main Author | |
Format | Book Chapter |
Language | English |
Published |
Indiana University Press
02.04.2014
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Subjects | |
Online Access | Get full text |
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Summary: | One of the most useful insights of scholarship that considers the conversion of 35mm films to 3D is the reminder that the latter’s appearance is not a mere novelty. Such revivals are not, as Kristen Whissel points out, a way of rescuing a seemingly threatened (U.S.) film industry in view of the coming of newer and more profitable technologies of viewing and consuming visual media. Rather, 3D is better approached as a practice that “has migrated across a broad range of platforms and media, including television, smart phones, photography, tablets, video games, and live theatrical performances.”¹ Which is to say |
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ISBN: | 9780253012265 0253012260 |