MULTIPLE POINT OF VIEW IN THE NOVEL AND FILM "THE HUNT FOR WOLVES"
Ivaylo Petrov is the last great connoisseur of the Bulgarian village among the classics of our literature. In his novel “The Hunt for Wolves,” he depicts the human drama of the transition to collectivization of property in the 1940s and 1950s, which marked the fates with irreconcilable conflicts and...
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Published in | Linguarum Universe Vol. 2; no. 1; pp. 92 - 100 |
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Main Author | |
Format | Journal Article |
Language | Bulgarian |
Published |
Academic Research and Culture Association
01.03.2025
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Subjects | |
Online Access | Get full text |
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Summary: | Ivaylo Petrov is the last great connoisseur of the Bulgarian village among the classics of our literature. In his novel “The Hunt for Wolves,” he depicts the human drama of the transition to collectivization of property in the 1940s and 1950s, which marked the fates with irreconcilable conflicts and traumas. Knowing the mentality, customs, life deeply, the subject environment, and ethnographic specificity of the village, he manages to create an unsurpassed plastic picture of that time in a network of characters and a modern novel form. The article analyzes the multiple points of view in the novel and the film The Hunt for Wolves by director Stanimir Trifonov. Multiple points of view are a compositional form in cinema and literature that reveals important moral events from different sides that cannot be explained in one light. |
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ISSN: | 3033-0815 |
DOI: | 10.5281/zenodo.14968126 |