The Swinging Woman. Phaedra and Swing in Classical Greece
In classical myth Phaedra plays a particular role: a main figure in ancient literature (Euripides, Ovid, Seneca write extensively about her vicissitudes), she occupies a very limited space in the artistic repertoire of the classical world. In the Greek world, Phaedra’s figure is unknown to the Helle...
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Published in | Medea (Cagliari) Vol. 2; no. 1 |
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Main Authors | , |
Format | Journal Article |
Language | German |
Published |
UNICApress
01.07.2016
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Subjects | |
Online Access | Get full text |
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Summary: | In classical myth Phaedra plays a particular role: a main figure in ancient literature (Euripides, Ovid, Seneca write extensively about her vicissitudes), she occupies a very limited space in the artistic repertoire of the classical world. In the Greek world, Phaedra’s figure is unknown to the Hellenic artistic repertoires. There is however an interesting exception: the pictures painted by Polygnotos for the Lesche of the Cnidians at Delphoi, where Phaedra is on a swing. The annotation of Pausania is by no means secondary: it is common knowledge, as the myths of Erigon or Charila show, that there is a very close symbolic connection between the swing and the hanging, which is also how Phaedra chooses to kill herself. But the binomial swing/hanging, mainly related to sexual relations by ancient sources, also represents symbolically the kind of death enacted in female puberty rituals. |
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ISSN: | 2421-5821 |
DOI: | 10.13125/medea-2444 |