The Swinging Woman. Phaedra and Swing in Classical Greece

In classical myth Phaedra plays a particular role: a main figure in ancient literature (Euripides, Ovid, Seneca write extensively about her vicissitudes), she occupies a very limited space in the artistic repertoire of the classical world. In the Greek world, Phaedra’s figure is unknown to the Helle...

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Bibliographic Details
Published inMedea (Cagliari) Vol. 2; no. 1
Main Authors Federica Doria, Marco Giuman
Format Journal Article
LanguageGerman
Published UNICApress 01.07.2016
Subjects
Aiora
Anthesteria
Hanging
Phaedra
Swing
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Summary:In classical myth Phaedra plays a particular role: a main figure in ancient literature (Euripides, Ovid, Seneca write extensively about her vicissitudes), she occupies a very limited space in the artistic repertoire of the classical world. In the Greek world, Phaedra’s figure is unknown to the Hellenic artistic repertoires. There is however an interesting exception: the pictures painted by Polygnotos for the Lesche of the Cnidians at Delphoi, where Phaedra is on a swing. The annotation of Pausania is by no means  secondary: it is common knowledge, as the myths of Erigon or Charila show, that there is a very close symbolic connection between the swing and the hanging, which is also how Phaedra chooses to kill herself. But the binomial swing/hanging, mainly related to sexual relations by ancient sources, also represents symbolically the kind of death enacted in female puberty rituals.
ISSN:2421-5821
DOI:10.13125/medea-2444