Vanishing Glaciers, the Becoming-Unextinct of Microorganisms, and Fathering a More-Than-Human World: Climate Change Horror in the Alps

Marketed as Austria’s response to The Thing (1982), the horrorscience fiction hybrid Blutgletscher (2013) depicts the re-emergence of seemingly extinct (or not known to have existed) microorganisms from thawing permafrost, which combine and recombine the genetic information of any lifeform they cont...

Full description

Saved in:
Bibliographic Details
Published inFafnir Vol. 6; no. 2; pp. 11 - 24
Main Author Michael Fuchs
Format Journal Article
LanguageEnglish
Published Finnish Society for Science Fiction and Fantasy Research 01.12.2019
Subjects
Online AccessGet full text

Cover

Loading…
More Information
Summary:Marketed as Austria’s response to The Thing (1982), the horrorscience fiction hybrid Blutgletscher (2013) depicts the re-emergence of seemingly extinct (or not known to have existed) microorganisms from thawing permafrost, which combine and recombine the genetic information of any lifeform they contact. As this article demonstrates, the Austrian film thus focuses on one of climate change’s many unintended effects, the longer-term consequences of which are unpredictable. The film’s transnational incorporation of The Thing adds to the effect, as it not only exposes the spatial and temporal flows in a globalised world but also scales up the viewer’s imagination in an attempt to represent humanity’s present and future in a climate-changed world. Indeed, this article suggests that Blutgletscher’s ending, in which the protagonist decides to raise a humanoid creature produced by the interaction between the microorganism and other lifeforms, imagines the end of humankind as it is known. Notably, this seemingly dark outlook conveys a cautious optimism about the prospect of a post-human future: life on Earth will continue; and some species carrying Homo sapiens’s genetic imprint will emerge from the ashes of human civilisation.
ISSN:2342-2009