“Human Desire” y “La Bête humaine”: una relación compleja

The path that moves from Émile Zola’s novel “La Bête humaine” to the homonymous film by Jean Renoir (1938), then to the remake “Human Desire” (1954) by Fritz Lang, conveyed a complex series of elements linked to European and American publishing and film industries. This transnational perspective bri...

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Bibliographic Details
Published inParole rubate Vol. 12; no. 24; pp. 27 - 50
Main Author Fernando Gonzáles Garcia
Format Journal Article
LanguageEnglish
Published Nicola Catelli - Corrado Confalonieri 01.12.2021
Subjects
remake
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Summary:The path that moves from Émile Zola’s novel “La Bête humaine” to the homonymous film by Jean Renoir (1938), then to the remake “Human Desire” (1954) by Fritz Lang, conveyed a complex series of elements linked to European and American publishing and film industries. This transnational perspective brings into play an 'intermedial' circle, which this article attempts to describe in detail.
ISSN:2039-0114