Editorial Introduction (Re)Living Greece and Rome: Performances of Classical Antiquity under Fascism

Abstract This special issue examines the use of classical antiquity within artistic, cultural, and political events under fascist regimes in the interwar period. Fascist Italy and Nazi Germany promoted the production of ancient drama, alongside forms of theater modelled on Greek antiquity, organized...

Full description

Saved in:
Bibliographic Details
Published inFascism (Leiden) Vol. 12; no. 2; pp. 107 - 115
Main Author Ioannidou, Eleftheria
Format Journal Article
LanguageEnglish
Published 13.12.2023
Online AccessGet full text

Cover

Loading…
More Information
Summary:Abstract This special issue examines the use of classical antiquity within artistic, cultural, and political events under fascist regimes in the interwar period. Fascist Italy and Nazi Germany promoted the production of ancient drama, alongside forms of theater modelled on Greek antiquity, organized grand-scale classical spectacles, and deployed ancient themes and classical-looking symbols and insignia at political gatherings and displays. The analyses presented in this special issue bring into dialogue the scholarship on theater and culture under fascist regimes with the growing literature on the reception of the classics to foreground the significance of performative practices in reconfiguring the classicizing mythologies of fascism. It is the hope of the guest editors that the findings presented here will contribute to the study of performances that strove to re-enact historical pasts beyond the scope of classical reception.
ISSN:2211-6249
2211-6257
DOI:10.1163/22116257-bja10067