Přeznačený Tvar a Obrys Kmen jako prostor „tvůrčí svobody“? Magazine Tvar Rebranded and Obrys‑Kmen as Space for ‘Creative Freedom’?
This article deals with the beginnings of the magazines Tvar (Form) and Obrys -Kmen (Contours-Stem), which were founded on the vestiges of defunct periodicals Kmen and Obrys. What they present, for the most part, are editorial statements and positions, as well as metacriticism and profiles on variou...
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| Published in | Slovo a smysl : časopis pro mezioborová studia = Word & sense Vol. 17; no. 35; pp. 167 - 174 |
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| Main Author | |
| Format | Journal Article |
| Language | Czech English |
| Published |
Univerzita Karlova v Praze - Filozofická fakulta, Vydavatelství
2020
Charles University in Prague - Faculty of Arts Press |
| Subjects | |
| Online Access | Get full text |
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| Abstract | This article deals with the beginnings of the magazines Tvar (Form) and Obrys -Kmen (Contours-Stem), which were founded on the vestiges of defunct periodicals Kmen and Obrys. What they present, for the most part, are editorial statements and positions, as well as metacriticism and profiles on various publications from the diverse medium of literary journals in the context of the newly democratized literary sphere of the 1990s. The aim of this article is to show, using the examples of Tvar and Obrys- -Kmen, how the prominent position and status of official literary criticism and its representatives changed after 1989, as they were cast to the (apparent) periphery of the field. |
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| AbstractList | This article deals with the beginnings of the magazines Tvar (Form) and Obrys -Kmen (Contours-Stem), which were founded on the vestiges of defunct periodicals Kmen and Obrys. What they present, for the most part, are editorial statements and positions, as well as metacriticism and profiles on various publications from the diverse medium of literary journals in the context of the newly democratized literary sphere of the 1990s. The aim of this article is to show, using the examples of Tvar and Obrys- -Kmen, how the prominent position and status of official literary criticism and its representatives changed after 1989, as they were cast to the (apparent) periphery of the field. |
| Author | Malá, Lucia |
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| DocumentTitleAlternate | Oficiální kritika sklonku 80. let po roce 1989 |
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| Issue | 35 |
| Keywords | Tvar reviews 1980s and 1990s editorials Obrys Kmen transition from totalitarianism to democracy |
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| PublicationTitle | Slovo a smysl : časopis pro mezioborová studia = Word & sense |
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| Publisher | Univerzita Karlova v Praze - Filozofická fakulta, Vydavatelství Charles University in Prague - Faculty of Arts Press |
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| StartPage | 167 |
| SubjectTerms | Czech Literature Post-War period (1950 - 1989) |
| Subtitle | Magazine Tvar Rebranded and Obrys‑Kmen as Space for ‘Creative Freedom’? |
| Title | Přeznačený Tvar a Obrys Kmen jako prostor „tvůrčí svobody“? |
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