Přeznačený Tvar a Obrys Kmen jako prostor „tvůrčí svobody“? Magazine Tvar Rebranded and Obrys‑Kmen as Space for ‘Creative Freedom’?

This article deals with the beginnings of the magazines Tvar (Form) and Obrys -Kmen (Contours-Stem), which were founded on the vestiges of defunct periodicals Kmen and Obrys. What they present, for the most part, are editorial statements and positions, as well as metacriticism and profiles on variou...

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Bibliographic Details
Published inSlovo a smysl : časopis pro mezioborová studia = Word & sense Vol. 17; no. 35; pp. 167 - 174
Main Author Malá, Lucia
Format Journal Article
LanguageCzech
English
Published Univerzita Karlova v Praze - Filozofická fakulta, Vydavatelství 2020
Charles University in Prague - Faculty of Arts Press
Subjects
Czech Literature
Post-War period (1950 - 1989)
Tvar
reviews
1980s and 1990s
editorials
Obrys Kmen
transition from totalitarianism to democracy
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Summary:This article deals with the beginnings of the magazines Tvar (Form) and Obrys -Kmen (Contours-Stem), which were founded on the vestiges of defunct periodicals Kmen and Obrys. What they present, for the most part, are editorial statements and positions, as well as metacriticism and profiles on various publications from the diverse medium of literary journals in the context of the newly democratized literary sphere of the 1990s. The aim of this article is to show, using the examples of Tvar and Obrys- -Kmen, how the prominent position and status of official literary criticism and its representatives changed after 1989, as they were cast to the (apparent) periphery of the field.
ISSN:1214-7915
2336-6680