Motyw fontanny-ran w barokowej rękopiśmiennej medytacji: wpływ ikonografii na poezję

Behind the foundation of the monastic meditation about fountains is a concrete devotional graphic from Western Europe. It is the Dutch emblem that is the key to the interpretation of the religious text, which uses words to directly refer to a specific image. These cultural correspondences constitute...

Full description

Saved in:
Bibliographic Details
Published inColloquia humanistica no. 5; pp. 189 - 198
Main Author Panasiuk, Joanna
Format Journal Article
LanguageEnglish
Published Instytut Slawistyki Polskiej Akademii Nauk 2016
Institute of Slavic Studies, Polish Academy of Sciences
Subjects
17th Century
18th Century
Cultural history
History
History of Religion
Modern Age
Poetry
Social history
Theology and Religion
meditation
emblem
iconography
Online AccessGet full text

Cover

More Information
Summary:Behind the foundation of the monastic meditation about fountains is a concrete devotional graphic from Western Europe. It is the Dutch emblem that is the key to the interpretation of the religious text, which uses words to directly refer to a specific image. These cultural correspondences constitute a curious phenomenon. They present the spirituality as well as the mentality of seventeenth- and eighteenth-century European society. This seems to confirm, at the same time, the fact that no artistic activity is ever isolated.
ISSN:2081-6774
2392-2419