A Common Image Loss, A Common Memory Image - Attempt for an Anthropology of Art

Teilhard de Chardin writes: “Man, ever since he has existed, offers himself as a spectacle for himself. In fact, he has been regarding nothing else for millennia than himself”. In search for the meanings of regard, spectacle, and vision, we have chosen the syncretic field of art since works of art i...

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Bibliographic Details
Published inActa Universitatis Sapientiae, Philologica Vol. 3; no. 2; pp. 224 - 235
Main Authors Egyed, Emese, Láng, Orsolya
Format Journal Article
LanguageEnglish
Published Scientia Publishing House 2011
Scientia Kiadó
Subjects
Theatre, Dance, Performing Arts
hypogeum
cognition
double author
image vision
knowledge
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Summary:Teilhard de Chardin writes: “Man, ever since he has existed, offers himself as a spectacle for himself. In fact, he has been regarding nothing else for millennia than himself”. In search for the meanings of regard, spectacle, and vision, we have chosen the syncretic field of art since works of art initiate mechanisms of cognition the duration of which goes beyond perception. This is what we have experienced in the case of Federico Fellini’s (1920-1993) film Rome (1972), and János Géczi A.’s (1953-2005) short story Mint szénagyűjtéskor az árnyékban [Like at Hay Gathering, in the Shade]. Fellini is a legendary figure in the history of film, while János Géczi A., the outstanding Transylvanian writer, editor of Kriterion and Polis Publishing Houses, founder and head of Kalota Publishing House, who passed away tragically early, is only known by few. His individual volumes are: Holdfényben (In Moonlight, 1987), and Patthelyzetek (Deadlocks, 1992).
ISSN:2067-5151
2068-2956