Структуризація орієнтирів художньо-творчої мотивації створення сценічного образу ролі актором драматичного театру

The purpose of the article. Determination of the structure of the main guidelines of artistic and creative motivation in the process of creating a stage image of a role by an actor in a drama theatre. The research methodology consists of the use of systemic, art history, analytical, structural, and...

Full description

Saved in:
Bibliographic Details
Published inВісник Національної академії керівних кадрів культури і мистецтв no. 1; pp. 226 - 230
Main Author Donchenko, Natalia Petrivna
Format Journal Article
LanguageUkrainian
Published National Academy of Managerial Staff of Culture and Arts 2022
Національна академія керівних кадрів культури і мистецтв
Subjects
Online AccessGet full text

Cover

Loading…
More Information
Summary:The purpose of the article. Determination of the structure of the main guidelines of artistic and creative motivation in the process of creating a stage image of a role by an actor in a drama theatre. The research methodology consists of the use of systemic, art history, analytical, structural, and functional methods of researching the main guidelines in organizing the creative process of transforming the performer of the role actor into a certain stage image in accordance with the subject of his creative activity in the theatrical production, which is directly represented by the character of the dramatic work. Research novelty. For the first time, the structuring of the conceptual and categorical basis of guidelines for artistic and creative motivation of professional requirements for creating a stage image by an actor in a drama theatre has been carried out. Conclusions. At present, the fundamental scientific-theoretical method of consistency in building the structuring of the process of an actor's work on a stage image, apart from Stanislavsky's orientation system, has not been developed. For the better or not, is a controversial issue, because the creative search for a more effective and universal basis for acting is taking place in modern creative laboratories of theatre artists. So, the process of inventing new original artistic techniques for a stage play, figurative motivations, and the interpretation of a character in a dramatic form remains an incompletely resolved problem for stage artists.
ISSN:2226-3209
2409-0506