Afrocentrism, gaze and visual experience in Zora Neale Hurston’s Their Eyes Were Watching God

Abstract This essay focuses on how, in Zora Neale Hurston’s novel Their Eyes Were Watching God (1937), African American women get noticed through the use of gaze and visual experience. The marginalization African American women have experienced over the years makes them produce an alternative commun...

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Bibliographic Details
Published inKáñina Vol. 42; no. 1; pp. 261 - 269
Main Author Marín Calderón, Norman
Format Journal Article
LanguageEnglish
Portuguese
Published Universidad de Costa Rica 01.06.2018
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Summary:Abstract This essay focuses on how, in Zora Neale Hurston’s novel Their Eyes Were Watching God (1937), African American women get noticed through the use of gaze and visual experience. The marginalization African American women have experienced over the years makes them produce an alternative communication system based on sight and visual understanding. That is, the visual takes over the impossibility of black women to express themselves verbally: instead of voice there is sight.
ISSN:2215-2636
DOI:10.15517/rk.v42i1.33568