A Kind of Bio-inspired Learning of mUsic stylE

In the field of Computer Music, computational intelligence approaches are very relevant for music information retrieval applications. A challenging task in this area is the automatic recognition of musical styles. The style of a music performer is the result of the combination of several factors suc...

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Bibliographic Details
Published inComputational Intelligence in Music, Sound, Art and Design Vol. 10198; pp. 97 - 113
Main Authors De Prisco, Roberto, Malandrino, Delfina, Zaccagnino, Gianluca, Zaccagnino, Rocco, Zizza, Rosalba
Format Book Chapter
LanguageEnglish
Published Switzerland Springer International Publishing AG 2017
Springer International Publishing
SeriesLecture Notes in Computer Science
Subjects
Online AccessGet full text
ISBN9783319557496
3319557491
ISSN0302-9743
1611-3349
DOI10.1007/978-3-319-55750-2_7

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Summary:In the field of Computer Music, computational intelligence approaches are very relevant for music information retrieval applications. A challenging task in this area is the automatic recognition of musical styles. The style of a music performer is the result of the combination of several factors such as experience, personality, preferences, especially in music genres where the improvisation plays an important role. In this paper we propose a new approach for both recognition and automatic composition of music of a specific performer’s style. Such a system exploits: (1) a one-class machine learning classifier to learn a specific music performer’s style, (2) a music splicing system to compose melodic lines in the learned style, and (3) a LSTM network to predict patterns coherent with the learned style and used to guide the splicing system during the composition. To assess the effectiveness of our system we performed several tests using transcriptions of solos of popular Jazz musicians. Specifically, with regard to the recognition process, tests were performed to analyze the capability of the system to recognize a style. Also, we show that performances of our classifier are comparable to that of traditional two-class SVM, and that it is able to achieve an accuracy of $$97\%$$ . With regard to the composition process, tests were performed to verify whether the produced melodies were able to catch the most significant music aspects of the learned style.
Bibliography:Original Abstract: In the field of Computer Music, computational intelligence approaches are very relevant for music information retrieval applications. A challenging task in this area is the automatic recognition of musical styles. The style of a music performer is the result of the combination of several factors such as experience, personality, preferences, especially in music genres where the improvisation plays an important role. In this paper we propose a new approach for both recognition and automatic composition of music of a specific performer’s style. Such a system exploits: (1) a one-class machine learning classifier to learn a specific music performer’s style, (2) a music splicing system to compose melodic lines in the learned style, and (3) a LSTM network to predict patterns coherent with the learned style and used to guide the splicing system during the composition. To assess the effectiveness of our system we performed several tests using transcriptions of solos of popular Jazz musicians. Specifically, with regard to the recognition process, tests were performed to analyze the capability of the system to recognize a style. Also, we show that performances of our classifier are comparable to that of traditional two-class SVM, and that it is able to achieve an accuracy of \documentclass[12pt]{minimal} \usepackage{amsmath} \usepackage{wasysym} \usepackage{amsfonts} \usepackage{amssymb} \usepackage{amsbsy} \usepackage{mathrsfs} \usepackage{upgreek} \setlength{\oddsidemargin}{-69pt} \begin{document}$$97\%$$\end{document}. With regard to the composition process, tests were performed to verify whether the produced melodies were able to catch the most significant music aspects of the learned style.
ISBN:9783319557496
3319557491
ISSN:0302-9743
1611-3349
DOI:10.1007/978-3-319-55750-2_7