Dystonia, tremor and repetitive instrumental use

• Published in: Revue neurologique Vol. 164; no. 1; pp. 53 - 60
• Main Authors: Jedynak, C P, Youssov, K, Apartis, E, Welter, M-L, Willer, J-C, Agid, Y
• Format: Journal Article
• Language: French
• Published: France 01.01.2008
• Subjects: Adult; Aged; Cumulative Trauma Disorders - complications; Cumulative Trauma Disorders - physiopathology; Cumulative Trauma Disorders - prevention & control; Dystonia - etiology; Dystonia - prevention & control; Female; Humans; Male; Middle Aged; Music; Patient Education as Topic; Tremor - etiology; Tremor - prevention & control
• ISSN: 0035-3787
• DOI: 10.1016/j.neurol.2007.07.003

Three characteristic observations are presented along with three tables presenting 24 patients with the following elements in common: excessively repeated use of an instrument such as a pen, a musical instrument or a tool. The appearance after that use of a central pathological phenomenon that includes a local dystonia of a hand or the mouth, a tremor, or the association of a tremor and a dystonia, all within the muscular domain corresponding to that of the use. The discussion, which is based exclusively on the clinical findings, deals with the following elements: the role of the use of the instrument rather than task itself, the predominant pathogenic factor which is the repetitive action, to which is added a genetic component in one incompletely penetrant case of DYT 1, and a probable genetic susceptibility in the others. The absence of improvement with rest distinguishes this central pathology from rheumatologic or orthopaedic problems involving repetitive activities. The evolution is slowly declining when the responsible action is continued. This occurs in three stages: a specific disorder involving only the use of the particular instrument, a more enlarged involvement affecting other activities and eventually a dystonia associated with a tremor or a postural tremor always located to the initial area. The therapeutic interventions suggested by the pathologic role of the repetitive movement is: (1) to advise a new training for the instrument that excludes the habitual movement; (2) to advise the patient to vary any newly acquired repetitive movements.