From Korean Wave to Korean Living: Meteor Garden and the Politics of Love Fantasies in Taiwan

• Published in: Korea observer Vol. 43; no. 3; pp. 419 - 445
• Main Author: Yang, Fang-chih Irene
• Format: Journal Article
• Language: English
• Published: Seoul Institute of Korean Studies 01.10.2012; 한국학술연구원
• Subjects: Asian culture; Bae Yong-jun; Citizenship; Consumption; Depoliticization; Drama; Females; Film adaptations; Genre; Globalization; Ideology; Institution building; Japan; Korean language; Love; Ma Ying-jeou; Motion pictures; Nation building; Neoliberalism; Politics; Popular culture; Remakes & sequels; Social Inequality; Society; South Korea; Taiwan; Television; Television programs; Women; Womens Rights; 정치외교학; Taiwan
• ISSN: 0023-3919; 2586-3053

This paper uses an inter-Asian TV drama, Meteor Garden (also called Boys Over Flowers in Japan and S. Korea), as an example to illustrate the formation of women's desire within the context of nation formation and neoliberal globalization. It argues that women's rights to Korean dramas are predicated on a politics of recognition which essentializes and naturalizes women's desire for love. This desire for love, when historicized as an institution for nation building and globalization, should be seen as a cultural technology of control which aims to depoliticize women, reducing women's citizenship to the intimate domain. Korean dramas and Korean living, based on consumption as a fantastic solution to social and systemic inequalities, reduce democratic politics to life politics; however, paradoxically, they also provide an occasion for understanding of women's "disagreement" rooted in their unhappy reality and this disagreement is the basis of democratic politics. [PUBLICATION ABSTRACT]