Pasolini regista civile

By the time Pier Paolo Pasolini made theTrilogia della vita(1971–4), the last three films that he would ever see completed and released to the public in his lifetime, he had already established his reputation in Italy as poet, first of all, and only secondarily as novelist, filmmaker, playwright, th...

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Bibliographic Details
Published inAllegories of Contamination p. 3
Main Author Rumble, Patrick
Format Book Chapter
LanguageEnglish
Published Canada University of Toronto Press 05.02.1996
Subjects
Allegory
Anthropology
Applied anthropology
Arts
Behavioral sciences
Business
Communications
Communications media
Cultural anthropology
Cultural industries
Cultural studies
Entertainment industries
Fiction
Film studies
Film theory
Industrial sectors
Industry
Language
Linguistics
Literary devices
Literary genres
Literary style
Literature
Motion picture industry
Movies
Novels
Poetry
Semiotic signs
Semiotics
Social sciences
Visual materials
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Summary:By the time Pier Paolo Pasolini made theTrilogia della vita(1971–4), the last three films that he would ever see completed and released to the public in his lifetime, he had already established his reputation in Italy as poet, first of all, and only secondarily as novelist, filmmaker, playwright, theorist, and journalist. But as many of the letters he received from friends and followers show (and Nico Naldini’s recent publication of Pasolini’s collected correspondence makes it possible to see this),² the call to renounce the cinema and return to his position as the poeta civile (national poet) of
ISBN:9780802072191
0802072194