RealNetworks, Inc. v. Streambox, Inc. & Universal City Studios, Inc. v. Reimerdes
The copyright industries perceive the internet and digital technology in general as a threat to their exclusive right to distribute and make copies of the copyrighted works they own. RealNetworks, Inc. v. Streambox, Inc. (2000) and Universal City Studios, Inc. v. Reimerdes (2000) are the 1st cases t...
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Published in | Berkeley technology law journal Vol. 16; no. 1; pp. 53 - 69 |
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Main Author | |
Format | Journal Article |
Language | English |
Published |
Berkeley
students of Boalt Hall School of Law
01.01.2001
University of California, Boalt Hall School of Law |
Subjects | |
Online Access | Get full text |
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Summary: | The copyright industries perceive the internet and digital technology in general as a threat to their exclusive right to distribute and make copies of the copyrighted works they own. RealNetworks, Inc. v. Streambox, Inc. (2000) and Universal City Studios, Inc. v. Reimerdes (2000) are the 1st cases to test the anti-circumvention provisions of the Digital Millennium Copyright Act of 1998. The rulings in both district courts broadly interpreted the ban on circumvention and narrowly applied the various exemptions and limitations within the statute. The cases demonstrate that a strict understanding of the DMCA may lead to overprotection for copyright owners at the expense of public access to art and information. |
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ISSN: | 1086-3818 2380-4742 |