Kinaesthetic Intimacy in a Choreographic Practice
‘What are people doing when they dance?’ This was a question proposed by Drid Williams as a useful starting point for a social anthropologist of dance (1991: 15). This chapter proceeds from a variation of Williams’s question by asking: what is a choreographer doing when s/he makes a dance?¹ This lea...
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Published in | Collaborative Intimacies in Music and Dance Vol. 10; p. 65 |
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Main Authors | , |
Format | Book Chapter |
Language | English |
Published |
United States
Berghahn Books
01.04.2017
Berghahn Books, Incorporated |
Edition | 1 |
Subjects | |
Online Access | Get full text |
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Summary: | ‘What are people doing when they dance?’ This was a question proposed by Drid Williams as a useful starting point for a social anthropologist of dance (1991: 15). This chapter proceeds from a variation of Williams’s question by asking: what is a choreographer doing when s/he makes a dance?¹ This leads to a detailed excursion into the intricate world of Robert Wood, a New Zealand-American choreographer and contemporary dance artist based in New York City, in whose works intimacy between choreographer and dancers is a prerequisite to artistic exploration – rather than such collaboration leading to intimacy.²
Before proceeding, it |
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ISBN: | 1785334530 9781785334535 |
DOI: | 10.2307/j.ctvw048hp.8 |