Joséphin Péladan: Occultism, Catholicism, and Science in the Fin de Siècle
In 1892, Roman Catholic art critic and novelist Joséphin Péladan (1858-1918) inaugurated a series of artistic salons sponsored by his occult Ordre de la Rose+Croix. The salons and Péladan's Rosicrucian revival were one part of his larger campaign to combat what he saw as the degeneration of Fre...
Saved in:
Published in | RACAR Vol. 34; no. 1; pp. 53 - 61 |
---|---|
Main Author | |
Format | Journal Article |
Language | English |
Published |
Universities Art Association of Canada
01.01.2009
|
Subjects | |
Online Access | Get more information |
Cover
Loading…
Summary: | In 1892, Roman Catholic art critic and novelist Joséphin Péladan (1858-1918) inaugurated a series of artistic salons sponsored by his occult Ordre de la Rose+Croix. The salons and Péladan's Rosicrucian revival were one part of his larger campaign to combat what he saw as the degeneration of French society under the influence of secularism and its supporting philosophy of scientific materialism. In "L'Art ochlocratique," the culminating work of the series "L'Occulte catholique," which codified the guiding principles for the aesthetic and social reforms that were Péladan's goal, he made the link between contemporary modes of painting and the materialism of Renan. |
---|---|
Bibliography: | ObjectType-Article-1 SourceType-Scholarly Journals-1 ObjectType-Feature-2 content type line 23 ObjectType-Undefined-3 |
ISSN: | 0315-9906 1918-4778 |
DOI: | 10.7202/1069500ar |