Exploring quantitative indices to characterize piano timbre with precision validated using measurement system analysis

Timbre in piano performance plays a critical role in enhancing musical expression. However, timbre control in current piano performance education relies mostly on descriptive characterization, which involves large variations of interpretation. The current study aimed to mitigate the limitations by i...

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Bibliographic Details
Published inFrontiers in psychology Vol. 15; p. 1363329
Main Authors Zhuang, Yuan, Yang, Shuo
Format Journal Article
LanguageEnglish
Published Switzerland Frontiers Media S.A 07.06.2024
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Summary:Timbre in piano performance plays a critical role in enhancing musical expression. However, timbre control in current piano performance education relies mostly on descriptive characterization, which involves large variations of interpretation. The current study aimed to mitigate the limitations by identifying quantitative indices with adequate precision to characterize piano timbre. A total of 24 sounds of G6 were recorded from 3 grand pianos, by 2 performers, and with 4 repetitions. The sounds were processed and analyzed with audio software for the frequencies and volumes of harmonic series in the spectrum curves. Ten quantitative timbre indices were calculated. Precision validation with statistical gage R&R analysis was conducted to gage the repeatability (between repetitions) and reproducibility (between performers) of the indices. The resultant percentage study variation (%SV) of an index must be ≤10% to be considered acceptable for characterizing piano timbre with enough precision. Out of the 10 indices, 4 indices had acceptable precision in characterizing piano timbre with %SV ≤10%, including the square sum of relative volume (4.40%), the frequency-weighted arithmetic mean of relative volume (4.29%), the sum of relative volume (3.11%), and the frequency-weighted sum of relative volume (2.09%). The novel indices identified in the current research will provide valuable tools to advance the measurement and communication of timbre and advance music performance education.
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Yuxiang Cai, Southwest University, China
Edited by: José Manuel Reales, National University of Distance Education (UNED), Spain
PRESENT ADDRESS: Shuo Yang,Division of Engineering Consulting, MedNEx Device LLC, Chicago, IL, United States
Reviewed by: Zelia Chueke, UMR8223 Institut de recherche en Musicologie (IReMus), France
ISSN:1664-1078
1664-1078
DOI:10.3389/fpsyg.2024.1363329