In Search of Fanny Hill's "Sacred Sisters": Celtic Scholarship on Page and Stage

Attempts to find connections between Memoirs of a Woman of Pleasure and Cleland's etymological tracts, in which he attempted to recover the ancient Celtic language, have, so far, met with mixed success. The most promising approach is to relate them to their broader contexts, including Cleland&#...

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Bibliographic Details
Published inEighteenth-century life Vol. 43; no. 2; p. 105
Main Author Williams, Carolyn D
Format Journal Article
LanguageEnglish
Published Durham Duke University Press, NC & IL 01.04.2019
Subjects
18th century
Ancient civilizations
Artistic representation (Imitation)
Cleland, John (1709-1789)
English literature
Gender
Gladfelder, Hal
Mason, William
Medieval period
Novels
Power
Women
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Summary:Attempts to find connections between Memoirs of a Woman of Pleasure and Cleland's etymological tracts, in which he attempted to recover the ancient Celtic language, have, so far, met with mixed success. The most promising approach is to relate them to their broader contexts, including Cleland's interests in ancient and medieval history, and their bearing on eighteenth-century culture. Hal Gladfelder's Fanny Hill in Bombay (2012) has drawn intriguing parallels between Fanny and the empowered Druidesses who occupy Cleland's idealized Celtic world. Proceeding from this point, I shall discuss eighteenth-century representations of female power in ancient Europe, with the resulting clashes of ideas on sex and gender. I shall proceed to a discussion of dramatic treatments of Druidic wisdom, focusing on Elfrida (1752) and Caractacus (1759) by William Mason (1725–97), and conclude by examining the issues that arose when it was embodied in actresses whose personal lives, especially as mediated by the contemporary press, reflected crucial aspects of Fanny Hill's.
ISSN:0098-2601
1086-3192
DOI:10.1215/00982601-7492920