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The subject of this study is a medium — the cinema — and a situation — going to the movies. It is more specifically the latter, i.e. the cinema as an arena for cultural confrontations, which is discussed. It is reasonable to suppose that cinema-going at the time (the 40s and 50s) played an important...
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Published in | Kulturella perspektiv Vol. 3; no. 4 |
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Main Author | |
Format | Journal Article |
Language | Danish |
Published |
Föreningen Kulturella Perspektiv
01.12.1994
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Subjects | |
Online Access | Get full text |
ISSN | 1102-7908 2004-0288 |
DOI | 10.54807/kp.v3.32173 |
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Summary: | The subject of this study is a medium — the cinema — and a situation — going to the movies. It is more specifically the latter, i.e. the cinema as an arena for cultural confrontations, which is discussed. It is reasonable to suppose that cinema-going at the time (the 40s and 50s) played an important role in cultural complexity, which among other things included a longing for the city (or that which was separated from the countryside), and the creation of a public sphere. Cinema-going became an element in a learning process, both an exercise in reflexivity where one could see oneself mirrored in the others, and the creation of media competence. To go to the movies was to be a part of a festivity pattern, where the film in itself was not the most important thing. By coming together, and to a certain extent in the reception of the film, youth gained a feeling of possibility. These meetings became a marketplace for exchange and negotiation. As far as I can see it was a creative and dynamic meeting, where one was trained to see the arriving future — an era different from the past. |
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ISSN: | 1102-7908 2004-0288 |
DOI: | 10.54807/kp.v3.32173 |