The Power of the Picture: How Narrative Film Captures Attention and Disrupts Goal Pursuit

• Published in: PloS one Vol. 10; no. 12; p. e0144493
• Main Authors: Cohen, Anna-Lisa, Shavalian, Elliot, Rube, Moshe
• Format: Journal Article
• Language: English
• Published: United States Public Library of Science 10.12.2015; Public Library of Science (PLoS)
• Subjects: Aggression; Attention (Psychology); Attention - physiology; Brain research; Cognition & reasoning; Experimental psychology; Goals; Goals (Psychology); Hitchcock, Alfred (1899-1980); Humans; Hypotheses; Male; Memory; Memory, Short-Term - physiology; Motion Pictures; Movies; Narration; Narratives; Neurosciences; Psychological aspects; Psychological research; Psychomotor Performance - physiology; Random Allocation; Research methodology; Researchers; Social psychology; Students - psychology; Studies; Universities; Violence; Violence - psychology; Young Adult; New York; United States > US
• ISSN: 1932-6203; 1932-6203
• DOI: 10.1371/journal.pone.0144493

Narrative transportation is described as a state of detachment that arises when one becomes immersed in the narrative of a story. Participants viewed either an intact version of an engaging 20 min film, "Bang You're Dead!," (1961) by Alfred Hitchcock (contiguous condition), or a version of the same film with scenes presented out of order (noncontiguous condition). In this latter condition, the individual scenes were intact but were presented out of chronological order. Participants were told a cover story that we were interested in the amount of gun violence depicted in films. Both groups were given the goal to remember to lift their hand every time they heard the word "gun" spoken during the film. Results revealed that participants were significantly less likely to remember to execute their goal in the contiguous condition, presumably because this narrative transported viewers' attention and thereby "hijacked" processing resources away from internal goals.