Pictorial Human Spaces: A Computational Study on the Human Perception of 3D Articulated Poses

Human motion analysis in images and video, with its deeply inter-related 2D and 3D inference components, is a central computer vision problem. Yet, there are no studies that reveal how humans perceive other people in images and how accurate they are. In this paper we aim to unveil some of the proces...

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Bibliographic Details
Published inInternational journal of computer vision Vol. 119; no. 2; pp. 194 - 215
Main Authors Marinoiu, Elisabeta, Papava, Dragos, Sminchisescu, Cristian
Format Journal Article
LanguageEnglish
Published New York Springer US 01.09.2016
Springer
Springer Nature B.V
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Summary:Human motion analysis in images and video, with its deeply inter-related 2D and 3D inference components, is a central computer vision problem. Yet, there are no studies that reveal how humans perceive other people in images and how accurate they are. In this paper we aim to unveil some of the processing—as well as the levels of accuracy—involved in the 3D perception of people from images by assessing the human performance. Moreover, we reveal the quantitative and qualitative differences between human and computer performance when presented with the same visual stimuli and show that metrics incorporating human perception can produce more meaningful results when integrated into automatic pose prediction algorithms. Our contributions are: (1) the construction of an experimental apparatus that relates perception and measurement, in particular the visual and kinematic performance with respect to 3D ground truth when the human subject is presented an image of a person in a given pose; (2) the creation of a dataset containing images, articulated 2D and 3D pose ground truth, as well as synchronized eye movement recordings of human subjects, shown a variety of human body configurations, both easy and difficult, as well as their ‘re-enacted’ 3D poses; (3) quantitative analysis revealing the human performance in 3D pose re-enactment tasks, the degree of stability in the visual fixation patterns of human subjects, and the way it correlates with different poses; (4) extensive analysis on the differences between human re-enactments and poses produced by an automatic system when presented with the same visual stimuli; (5) an approach to learning perceptual metrics that, when integrated into visual sensing systems, produces more stable and meaningful results.
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ISSN:0920-5691
1573-1405
1573-1405
DOI:10.1007/s11263-016-0888-3