Japanese Sound-Symbolic Words for Representing the Hardness of an Object Are Judged Similarly by Japanese and English Speakers
Contrary to the assumption of arbitrariness in modern linguistics, sound symbolism, which is the non-arbitrary relationship between sounds and meanings, exists. Sound symbolism, including the “Bouba–Kiki” effect, implies the universality of such relationships; individuals from different cultural and...
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Published in | Frontiers in psychology Vol. 13; p. 830306 |
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Main Authors | , , , , , |
Format | Journal Article |
Language | English |
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Abstract | Contrary to the assumption of arbitrariness in modern linguistics, sound symbolism, which is the non-arbitrary relationship between sounds and meanings, exists. Sound symbolism, including the “Bouba–Kiki” effect, implies the universality of such relationships; individuals from different cultural and linguistic backgrounds can similarly relate sound-symbolic words to referents, although the extent of these similarities remains to be fully understood. Here, we examined if subjects from different countries could similarly infer the surface texture properties from words that sound-symbolically represent hardness in Japanese. We prepared Japanese sound-symbolic words of which novelty was manipulated by a genetic algorithm (GA). Japanese speakers in Japan and English speakers in both Singapore and the United States rated these words based on surface texture properties (hardness, warmness, and roughness), as well as familiarity. The results show that hardness-related words were rated as harder and rougher than softness-related words, regardless of novelty and countries. Multivariate analyses of the ratings classified the hardness-related words along the hardness-softness dimension at over 80% accuracy, regardless of country. Multiple regression analyses revealed that the number of speech sounds /g/ and /k/ predicted the ratings of the surface texture properties in non-Japanese countries, suggesting a systematic relationship between phonetic features of a word and perceptual quality represented by the word across culturally and linguistically diverse samples. |
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AbstractList | Contrary to the assumption of arbitrariness in modern linguistics, sound symbolism, which is the non-arbitrary relationship between sounds and meanings, exists. Sound symbolism, including the "Bouba-Kiki" effect, implies the universality of such relationships; individuals from different cultural and linguistic backgrounds can similarly relate sound-symbolic words to referents, although the extent of these similarities remains to be fully understood. Here, we examined if subjects from different countries could similarly infer the surface texture properties from words that sound-symbolically represent hardness in Japanese. We prepared Japanese sound-symbolic words of which novelty was manipulated by a genetic algorithm (GA). Japanese speakers in Japan and English speakers in both Singapore and the United States rated these words based on surface texture properties (hardness, warmness, and roughness), as well as familiarity. The results show that hardness-related words were rated as harder and rougher than softness-related words, regardless of novelty and countries. Multivariate analyses of the ratings classified the hardness-related words along the hardness-softness dimension at over 80% accuracy, regardless of country. Multiple regression analyses revealed that the number of speech sounds /g/ and /k/ predicted the ratings of the surface texture properties in non-Japanese countries, suggesting a systematic relationship between phonetic features of a word and perceptual quality represented by the word across culturally and linguistically diverse samples.Contrary to the assumption of arbitrariness in modern linguistics, sound symbolism, which is the non-arbitrary relationship between sounds and meanings, exists. Sound symbolism, including the "Bouba-Kiki" effect, implies the universality of such relationships; individuals from different cultural and linguistic backgrounds can similarly relate sound-symbolic words to referents, although the extent of these similarities remains to be fully understood. Here, we examined if subjects from different countries could similarly infer the surface texture properties from words that sound-symbolically represent hardness in Japanese. We prepared Japanese sound-symbolic words of which novelty was manipulated by a genetic algorithm (GA). Japanese speakers in Japan and English speakers in both Singapore and the United States rated these words based on surface texture properties (hardness, warmness, and roughness), as well as familiarity. The results show that hardness-related words were rated as harder and rougher than softness-related words, regardless of novelty and countries. Multivariate analyses of the ratings classified the hardness-related words along the hardness-softness dimension at over 80% accuracy, regardless of country. Multiple regression analyses revealed that the number of speech sounds /g/ and /k/ predicted the ratings of the surface texture properties in non-Japanese countries, suggesting a systematic relationship between phonetic features of a word and perceptual quality represented by the word across culturally and linguistically diverse samples. Contrary to the assumption of arbitrariness in modern linguistics, sound symbolism, which is the non-arbitrary relationship between sounds and meanings, exists. Sound symbolism, including the “Bouba–Kiki” effect, implies the universality of such relationships; individuals from different cultural and linguistic backgrounds can similarly relate sound-symbolic words to referents, although the extent of these similarities remains to be fully understood. Here, we examined if subjects from different countries could similarly infer the surface texture properties from words that sound-symbolically represent hardness in Japanese. We prepared Japanese sound-symbolic words of which novelty was manipulated by a genetic algorithm (GA). Japanese speakers in Japan and English speakers in both Singapore and the United States rated these words based on surface texture properties (hardness, warmness, and roughness), as well as familiarity. The results show that hardness-related words were rated as harder and rougher than softness-related words, regardless of novelty and countries. Multivariate analyses of the ratings classified the hardness-related words along the hardness-softness dimension at over 80% accuracy, regardless of country. Multiple regression analyses revealed that the number of speech sounds /g/ and /k/ predicted the ratings of the surface texture properties in non-Japanese countries, suggesting a systematic relationship between phonetic features of a word and perceptual quality represented by the word across culturally and linguistically diverse samples. |
Author | Zheng, Zane Wong, Li Shan Sakamoto, Maki Kitada, Ryo Styles, Suzy J. Kwon, Jinhwan |
AuthorAffiliation | 1 Division of Psychology, School of Social Sciences, Nanyang Technological University , Singapore , Singapore 3 Department of Psychology, Lasell University , Newton, MA , United States 5 Graduate School of Intercultural Studies, Kobe University , Kobe , Japan 2 Faculty of Education, Kyoto University of Education , Kyoto , Japan 4 Department of Informatics, Graduate School of Informatics and Engineering, The University of Electro-Communications , Chofu , Japan |
AuthorAffiliation_xml | – name: 3 Department of Psychology, Lasell University , Newton, MA , United States – name: 4 Department of Informatics, Graduate School of Informatics and Engineering, The University of Electro-Communications , Chofu , Japan – name: 5 Graduate School of Intercultural Studies, Kobe University , Kobe , Japan – name: 1 Division of Psychology, School of Social Sciences, Nanyang Technological University , Singapore , Singapore – name: 2 Faculty of Education, Kyoto University of Education , Kyoto , Japan |
Author_xml | – sequence: 1 givenname: Li Shan surname: Wong fullname: Wong, Li Shan – sequence: 2 givenname: Jinhwan surname: Kwon fullname: Kwon, Jinhwan – sequence: 3 givenname: Zane surname: Zheng fullname: Zheng, Zane – sequence: 4 givenname: Suzy J. surname: Styles fullname: Styles, Suzy J. – sequence: 5 givenname: Maki surname: Sakamoto fullname: Sakamoto, Maki – sequence: 6 givenname: Ryo surname: Kitada fullname: Kitada, Ryo |
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Cites_doi | 10.3389/fpsyg.2017.00569 10.1007/s11135-017-0584-6 10.1109/TOH.2012.32 10.1126/science.1189993 10.1068/p040105 10.1111/cogs.13059 10.1037/0096-1523.23.6.1680 10.3389/fpsyg.2015.01246 10.1111/j.1467-7687.2006.00495.x 10.1068/p7168 10.1515/lingvan-2014-1015 10.3758/BF03212154 10.1016/j.cognition.2012.09.007 10.1007/s00426-015-0709-2 10.1038/s41598-020-68034-x 10.3758/BRM.41.4.1149 10.1146/annurev.anthro.28.1.225 10.3389/fpsyg.2018.00295 10.1037/h0070931 10.1177/2041669517724807 10.1098/rstb.2013.0298 10.3389/neuro.06.004.2008 10.1111/j.2044-8295.1961.tb00788.x 10.1037/a0030553 10.1527/tjsai.30.319 10.1177/002383097401700109 10.1016/j.cognition.2018.02.023 10.1038/s41598-021-96044-w 10.1016/j.cognition.2009.04.001 10.3389/fpsyg.2017.02139 10.1093/oxfordhb/9780199603329.013.0043 10.1098/rsos.170882 10.1109/TOH.2016.2615923 10.1038/s41598-021-86328-6 10.1016/j.jml.2017.09.006 10.3389/fpsyg.2019.00878 10.3758/BF03211795 10.1037/a0022268 |
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Copyright | Copyright © 2022 Wong, Kwon, Zheng, Styles, Sakamoto and Kitada. Copyright © 2022 Wong, Kwon, Zheng, Styles, Sakamoto and Kitada. 2022 Wong, Kwon, Zheng, Styles, Sakamoto and Kitada |
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Keywords | hardness sound symbolism touch material perception Japanese |
Language | English |
License | Copyright © 2022 Wong, Kwon, Zheng, Styles, Sakamoto and Kitada. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) and the copyright owner(s) are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms. |
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SubjectTerms | hardness Japanese material perception Psychology sound symbolism touch |
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Title | Japanese Sound-Symbolic Words for Representing the Hardness of an Object Are Judged Similarly by Japanese and English Speakers |
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