Awangarda i tekst dromoskopowy

This article aims to show how the avant-garde anthropological paradigm (based on notions of movement, progress, speed) relates to the philosopher Paul Virilio’s concept of dromoscopy. Virilio examines problems such as de-identification, loss of a stable subjectivity, the creation of an image of the...

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Bibliographic Details
Published inTeksty drugie no. 1; pp. 272 - 296
Main Author Kmiecik, Michalina
Format Journal Article
LanguagePolish
Published Instytut Badań Literackich Polskiej Akademii Nauk 05.07.2018
Institute of Literary Research, Polish Academy of Sciences (IBL PAN)
The Institute of Literary Research of the Polish Academy of Sciences
Subjects
Anthropology
Hermeneutics
Poetry
Polish Literature
Social Philosophy
Theory of Literature
dromoskopia
Julian Przyboś
Paul Virilio
avantgarde
Przyboś (Julian)
avant-garde
awangarda
Virilio (Paul)
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Summary:This article aims to show how the avant-garde anthropological paradigm (based on notions of movement, progress, speed) relates to the philosopher Paul Virilio’s concept of dromoscopy. Virilio examines problems such as de-identification, loss of a stable subjectivity, the creation of an image of the human-projector that produces simulacra on the dashboard display. Kmiecik takes up these problems to develop the idea of the dromoscopic text, which, rather than thematizing movement, attempts to make it present in poetic language. To describe the transformation of avant-garde poetry, which strives from a fascination with the dromomaniacal subject towards dromoscopic discernment, Kmiecik uses two poems by Julian Przyboś as examples: Na uskrzydlonych kołach [On Winged Wheels] and Na kołach [On Wheels].
ISSN:0867-0633
2545-2061