Collaborating in Isolation: Assessing the Effects of the Covid-19 Pandemic on Patterns of Collaborative Behavior Among Working Musicians
The Covid-19 pandemic severely limited collaboration among musicians in rehearsal and ensemble performance, and demanded radical shifts in collaborative practices. Understanding the nature of these changes in music creators' patterns of collaboration, as well as how musicians shifted prioritiza...
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Published in | Frontiers in psychology Vol. 12; p. 674246 |
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Main Authors | , , , |
Format | Journal Article |
Language | English |
Published |
Frontiers Media S.A
19.07.2021
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Abstract | The Covid-19 pandemic severely limited collaboration among musicians in rehearsal and ensemble performance, and demanded radical shifts in collaborative practices. Understanding the nature of these changes in music creators' patterns of collaboration, as well as how musicians shifted prioritizations and adapted their use of the available technologies, can offer invaluable insights into the resilience and importance of different aspects of musical collaboration. In addition, assessing changes in the collaboration networks among music creators can improve the current understanding of genre and style formation and evolution. We used an internet survey distributed to music creators, including performers, composers, producers, and engineers, all active before and during the pandemic, to assess their perceptions of how their music, collaborative practice, and use of technology were impacted by shelter-in-place orders associated with Covid-19, as well as how they adapted over the course of the pandemic. This survey was followed by Zoom interviews with a subset of participants. Along with confirming previous results showing increased reliance on nostalgia for musical inspiration, we found that participants' collaborative behaviors were surprisingly resilient to pandemic-related changes. In addition, participant responses appeared to be driven by a relatively small number of underlying factors, representing approaches to musical collaboration such as
musical extroversion
or
musical introversion
, inspiration clusters such as
activist musicking
, and style or genre clusters. |
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AbstractList | The Covid-19 pandemic severely limited collaboration among musicians in rehearsal and ensemble performance, and demanded radical shifts in collaborative practices. Understanding the nature of these changes in music creators' patterns of collaboration, as well as how musicians shifted prioritizations and adapted their use of the available technologies, can offer invaluable insights into the resilience and importance of different aspects of musical collaboration. In addition, assessing changes in the collaboration networks among music creators can improve the current understanding of genre and style formation and evolution. We used an internet survey distributed to music creators, including performers, composers, producers, and engineers, all active before and during the pandemic, to assess their perceptions of how their music, collaborative practice, and use of technology were impacted by shelter-in-place orders associated with Covid-19, as well as how they adapted over the course of the pandemic. This survey was followed by Zoom interviews with a subset of participants. Along with confirming previous results showing increased reliance on nostalgia for musical inspiration, we found that participants' collaborative behaviors were surprisingly resilient to pandemic-related changes. In addition, participant responses appeared to be driven by a relatively small number of underlying factors, representing approaches to musical collaboration such as
musical extroversion
or
musical introversion
, inspiration clusters such as
activist musicking
, and style or genre clusters. The Covid-19 pandemic severely limited collaboration among musicians in rehearsal and ensemble performance, and demanded radical shifts in collaborative practices. Understanding the nature of these changes in music creators' patterns of collaboration, as well as how musicians shifted prioritizations and adapted their use of the available technologies, can offer invaluable insights into the resilience and importance of different aspects of musical collaboration. In addition, assessing changes in the collaboration networks among music creators can improve the current understanding of genre and style formation and evolution. We used an internet survey distributed to music creators, including performers, composers, producers, and engineers, all active before and during the pandemic, to assess their perceptions of how their music, collaborative practice, and use of technology were impacted by shelter-in-place orders associated with Covid-19, as well as how they adapted over the course of the pandemic. This survey was followed by Zoom interviews with a subset of participants. Along with confirming previous results showing increased reliance on nostalgia for musical inspiration, we found that participants' collaborative behaviors were surprisingly resilient to pandemic-related changes. In addition, participant responses appeared to be driven by a relatively small number of underlying factors, representing approaches to musical collaboration such as musical extroversion or musical introversion, inspiration clusters such as activist musicking, and style or genre clusters. |
Author | Goudarzi, Visda Fram, Noah R. Terasawa, Hiroko Berger, Jonathan |
AuthorAffiliation | 2 Department of Audio Arts and Acoustics, Columbia College Chicago , Chicago, IL , United States 1 Center for Computer Research in Music and Acoustics, Music Department, Stanford University , Stanford, CA , United States 3 Faculty of Library, Information and Media Science, University of Tsukuba , Tsukuba , Japan |
AuthorAffiliation_xml | – name: 2 Department of Audio Arts and Acoustics, Columbia College Chicago , Chicago, IL , United States – name: 3 Faculty of Library, Information and Media Science, University of Tsukuba , Tsukuba , Japan – name: 1 Center for Computer Research in Music and Acoustics, Music Department, Stanford University , Stanford, CA , United States |
Author_xml | – sequence: 1 givenname: Noah R. surname: Fram fullname: Fram, Noah R. – sequence: 2 givenname: Visda surname: Goudarzi fullname: Goudarzi, Visda – sequence: 3 givenname: Hiroko surname: Terasawa fullname: Terasawa, Hiroko – sequence: 4 givenname: Jonathan surname: Berger fullname: Berger, Jonathan |
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Cites_doi | 10.1080/03007760108591795 10.2307/798843 10.3389/fpsyg.2021.645967 10.1080/19401159.2016.1155376 10.1177/1359183511424196 10.1177/0305735699271007 10.4324/9781315596945 10.1093/ml/gcx095 10.2307/j.ctv17vf74v.16 10.1215/9780822390305 10.1177/0305735606061850 10.1063/1.2988285 10.18637/jss.v045.i03 10.1145/3325480.3325495 10.1093/em/caaa045 10.1525/california/9780520248717.001.0001 10.1177/1029864909013001004 10.2307/850943 10.3389/fict.2019.00011 10.9734/arjass/2020/v11i.430178 10.1111/j.1749-6632.2001.tb05723.x 10.1215/9780822374015 10.3389/fpsyg.2017.01701 10.3389/fpsyg.2020.594086 10.17269/s41997-020-00379-2 10.3389/fpsyg.2021.647929 10.33258/birci.v3i4.1283 10.1080/01639620590905618 10.2307/764020 10.4324/9780203145098 10.1080/14616696.2020.1818271 10.1080/09548960600712975 10.3389/fpsyg.2021.647891 10.3389/fpsyg.2021.624474 10.1080/01449290903377103 10.3389/fpsyg.2021.642713 10.1177/0305735612440609 10.1109/ACCESS.2018.2872625 10.1215/9780822385998 10.1098/rstb.2008.0006 10.3389/fpsyg.2021.646292 10.3389/fnhum.2012.00026 10.1098/rstb.2013.0394 |
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Notes | ObjectType-Article-1 SourceType-Scholarly Journals-1 ObjectType-Feature-2 content type line 23 This article was submitted to Cultural Psychology, a section of the journal Frontiers in Psychology Edited by: Niels Chr. Hansen, Aarhus Institute of Advanced Studies, Denmark Reviewed by: Keith Sawyer, University of North Carolina at Chapel Hill, United States; George Waddell, Royal College of Music, United Kingdom; Maria Witek, University of Birmingham, United Kingdom |
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SubjectTerms | COVID-19 pandemic musical collaboration musical genre Psychology social media technology use |
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Title | Collaborating in Isolation: Assessing the Effects of the Covid-19 Pandemic on Patterns of Collaborative Behavior Among Working Musicians |
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