Collaborating in Isolation: Assessing the Effects of the Covid-19 Pandemic on Patterns of Collaborative Behavior Among Working Musicians
The Covid-19 pandemic severely limited collaboration among musicians in rehearsal and ensemble performance, and demanded radical shifts in collaborative practices. Understanding the nature of these changes in music creators' patterns of collaboration, as well as how musicians shifted prioritiza...
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Published in | Frontiers in psychology Vol. 12; p. 674246 |
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Main Authors | , , , |
Format | Journal Article |
Language | English |
Published |
Frontiers Media S.A
19.07.2021
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Subjects | |
Online Access | Get full text |
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Summary: | The Covid-19 pandemic severely limited collaboration among musicians in rehearsal and ensemble performance, and demanded radical shifts in collaborative practices. Understanding the nature of these changes in music creators' patterns of collaboration, as well as how musicians shifted prioritizations and adapted their use of the available technologies, can offer invaluable insights into the resilience and importance of different aspects of musical collaboration. In addition, assessing changes in the collaboration networks among music creators can improve the current understanding of genre and style formation and evolution. We used an internet survey distributed to music creators, including performers, composers, producers, and engineers, all active before and during the pandemic, to assess their perceptions of how their music, collaborative practice, and use of technology were impacted by shelter-in-place orders associated with Covid-19, as well as how they adapted over the course of the pandemic. This survey was followed by Zoom interviews with a subset of participants. Along with confirming previous results showing increased reliance on nostalgia for musical inspiration, we found that participants' collaborative behaviors were surprisingly resilient to pandemic-related changes. In addition, participant responses appeared to be driven by a relatively small number of underlying factors, representing approaches to musical collaboration such as
musical extroversion
or
musical introversion
, inspiration clusters such as
activist musicking
, and style or genre clusters. |
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Bibliography: | ObjectType-Article-1 SourceType-Scholarly Journals-1 ObjectType-Feature-2 content type line 23 This article was submitted to Cultural Psychology, a section of the journal Frontiers in Psychology Edited by: Niels Chr. Hansen, Aarhus Institute of Advanced Studies, Denmark Reviewed by: Keith Sawyer, University of North Carolina at Chapel Hill, United States; George Waddell, Royal College of Music, United Kingdom; Maria Witek, University of Birmingham, United Kingdom |
ISSN: | 1664-1078 1664-1078 |
DOI: | 10.3389/fpsyg.2021.674246 |