Re-enacting the Bodily Self on Stage: Embodied Cognition Meets Psychoanalysis

• Published in: Frontiers in psychology Vol. 10; p. 492
• Main Author: Scorolli, Claudia
• Format: Journal Article
• Language: English
• Published: Switzerland Frontiers Media S.A 05.04.2019
• Subjects: affects; embodied cognition; intersubjectivity; psychoanalysis; psychoanalytic psychodrama; Psychology; sentient bodily self; psychoanalytic psychodrama; intersubjectivity; internet addiction disorders; embodied cognition; affects; eating disorders; psychoanalysis; sentient bodily self
• ISSN: 1664-1078; 1664-1078
• DOI: 10.3389/fpsyg.2019.00492

The embodied approach to cognition consists in a range of theoretical proposals sharing the idea that our concepts are constitutively shaped by the physical and social constraints of our body and environment. Still far from a mutually enriching interplay, in recent years embodied and psychoanalytic approaches are converging on similar constructs as the ones of intersubjectivity, bodily self, and affective quality of verbal communication. Some efforts to cope with the subject were already present in classical cognitivism: having expunged desires and conflicts from the , bodily emotions re-emerged but only as a noisy dynamic friction. In contrast, the new, neural, embodied cognitive science with its focus on bodily effects/affects has enabled a dialogue between neuro-cognitive perspectives and clinic-psychological ones, through shared conceptual frameworks. I will address crucial issues that should be faced on this reconciling path. With reference to two kinds of contemporary addictions - internet addiction disorder and eating disorders - I will introduce a possible therapeutic approach that is built upon the core role of the acting-sentient bodily self in a dynamic-social and affective environment. In Psychoanalytic Psychodrama, the spontaneous re-enactment of a past (socially and physically constrained) experience is actualized by means of the other, the Auxiliary Ego. This allows homeostatic and social-emotional affects, i.e., drives and instincts, to be re-experienced by the agent, the Protagonist, in a safe scenario. The director-psychoanalyst smoothly traces back this simulation to the motivated, and constrained, early proximal embodied interactions with significant others, and to the related instinctual conflicting aims. The psychoanalytic reframing of classical psychodrama does not merely exploit its original cathartic function, rather stands out for exploring the interpersonal constitution of the self, through an actual "re-somatization" of psychoanalytic therapy. Unspoken/unspeakable feelings pop up on stage: the strength of this treatment mainly rests on re-establishing the priority of the over the . By pointing out the possible conflicts between these two selves, this method can broaden the embodied cognition perspective. The psychodramatic approach will be briefly discussed in light of connectionist models, to finally address linguistic and methodological pivotal issues.