Revenge Without Rules: On the Renaissance of an Archaic Motif of Violence

The revenge mentality and desire for revenge only play a subordinate role in the social sciences' present discussion concerning violence. Hardly a contribution to the recent published collections on topics of violence concerns itself with the theme of revenge (see Von Trotha 1997; Koehler and H...

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Published inStudies in conflict and terrorism Vol. 24; no. 6; pp. 435 - 450
Main Author Waldmann, Peter
Format Journal Article
LanguageEnglish
Published Washington Informa UK Ltd 01.11.2001
Taylor & Francis LLC
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Summary:The revenge mentality and desire for revenge only play a subordinate role in the social sciences' present discussion concerning violence. Hardly a contribution to the recent published collections on topics of violence concerns itself with the theme of revenge (see Von Trotha 1997; Koehler and Heyer 1998; Sieferle and Breuninger 1998). A similar situation holds true in the arts. Furthermore, as Susan Jacoby has shown, above all in literature (Jacoby 1985, 14 ff.). While revenge, fed by passion or cold calculation, was one of its classic topics, beginning with the 'Iliad' and the 'Nibelungenlied' through the Shakespearean dramas to the novels of the 19th century (one is reminded, for example, of 'Les Miserables' by Victor Hugo), it has practically disappeared from the better contemporary literature.
Bibliography:STUDIES IN CONFLICT AND TERRORISM, Vol. 24, No. 6, Dec 2001, 435-450
Informit, Melbourne (Vic)
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ISSN:1057-610X
1521-0731
DOI:10.1080/105761001753210470