Dual-color mixing for fused deposition modeling printers

In this work we detail a method that leverages the two color heads of recent low‐end fused deposition modeling (FDM) 3D printers to produce continuous tone imagery. The challenge behind producing such two‐tone imagery is how to finely interleave the two colors while minimizing the switching between...

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Bibliographic Details
Published inComputer graphics forum Vol. 33; no. 2; pp. 479 - 486
Main Authors Reiner, Tim, Carr, Nathan, Měch, Radomír, Št'ava, Ondřej, Dachsbacher, Carsten, Miller, Gavin
Format Journal Article
LanguageEnglish
Published Oxford Blackwell Publishing Ltd 01.05.2014
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Summary:In this work we detail a method that leverages the two color heads of recent low‐end fused deposition modeling (FDM) 3D printers to produce continuous tone imagery. The challenge behind producing such two‐tone imagery is how to finely interleave the two colors while minimizing the switching between print heads, making each color printed span as long and continuous as possible to avoid artifacts associated with printing short segments. The key insight behind our work is that by applying small geometric offsets, tone can be varied without the need to switch color print heads within a single layer. We can now effectively print (two‐tone) texture mapped models capturing both geometric and color information in our output 3D prints.
Bibliography:ArticleID:CGF12319
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Supporting Information
Lucy the cat) and
We thank
Zoltan Bourne
Julie Dorsey
Acknowledgements
Gargoyle) for permission to use their models
.
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ISSN:0167-7055
1467-8659
DOI:10.1111/cgf.12319